珠寶一直是人類表達最深切情感的工具，無論是紀念、信仰、奉獻、愛、歸屬和哀悼，而人形長期以來一直是珠寶的靈魂或泉源以及表達方式。《 FIGURES & FACES: THE ART OF JEWELRY 》收錄來自法國巴黎裝飾藝術博物館收藏一系列模仿人形的珠寶首飾。博物館內的收藏始於拜占庭時代，範圍遍及中世紀和文藝復興時期，以及其後的時代，神話人物和聖​​經場景更設計於吊墜和戒指。在十九世紀，RenéLalique、Alphonse Fouquet 和 Maison Vever 製作了胸針和項鍊，體現出高雅的精緻和技術的輝煌。而在二十世紀，巴勃羅·畢加索和阿爾貝托·賈科梅蒂等藝術家也加入了 JeanLurçat、Line Vautrin 等珠寶商，和克勞德·拉蘭尼（Claude Lalanne）創作的作品，以非常私人收藏的方式公開出版此本書籍。

 

A glittering collection of jewelry emulating the human form, from the collection of the Musée des Arts Décoratifs in Paris

 

Jewelry has always been a vehicle for the deepest of human emotions: remembrance, faith, devotion, love, belonging, and mourning. The human figure has long been a source of inspiration and a means of expression for jewelers, and it is perhaps the most intimate and involving of subjects. Following on from the magnificent Flora and Fauna, Figures is the third book in a series devoted to the splendid jewelry collection of the Musée des Arts Décoratifs in Paris.

 

The museum’s collection begins in the Byzantine era and ranges through the medieval and Renaissance periods and beyond, with mythological figures and biblical scenes represented on pendants and rings. In the nineteenth century, René Lalique, Alphonse Fouquet, and the Maison Vever produced brooches and necklaces that embodied elegant sophistication and technical brilliance, while in the twentieth century, artists such as Pablo Picasso and Alberto Giacometti joined jewelers like Jean Lurçat, Line Vautrin, and Claude Lalanne in creating works that interpret the body in deeply personal ways.

 

Specially photographed by Jean- Marie del 

書籍屬性
[作者]	Patrick Mauries (Author), Evelyne Posseme (Author)
[出版社]	Thames & Hudson
[圖書書號/ISBN]	978-0-500-02181-1
[出版日期]	2018
[書籍頁數]	128
[裝訂方式]	精裝

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