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ISA GENZKEN

ISA GENZKEN

  • 書籍編號: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
    書籍現貨: 缺貨
  • 作者:Alex Farqharson
    裝訂:平裝
  • 尺寸:25*29cm
    頁數:160pp
  • 書籍出版商:PHAIDON
    出版年:2006
  • 書籍點擊數:1921
  • 會員優惠(說明)
    網路售價:NT1500元(非會員價)
    註冊會員:NT1185元
    VIP 會員:NT1125元
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Isa Genzken’s (b. 1948) work encompasses sculpture, collage, painting and photography. One of the leading artists to have emerged in Germany since the 1980s, Genzken is notable for the way she combines personal elements with references to architecture, modernism and art history. She is interested in the ruins of material culture, particularly architectural detritus, and the combination of materials in her work is remarkable, encompassing animal heads, fluorescent plastic, spray-painted pine cones, concrete blocks, glass, mirrored sheets, aeroplane windows and children’s umbrellas, to name a few.

Her work can be aesthetically brutal, as with her Empire/Vampire series (2003-5) – agglomerations of toys and unrelated found objects roughly splattered with paint – and strikingly beautiful, as with her New Buildings for Berlin (2001-4) – small, impeccably crafted glass and silicone skyscrapers. One of her best known and loved works, Rose (1993/7), is a public sculpture of a single long-stemmed rose made from enamelled stainless steel that towers eight metres above Leipzig’s museum district.

Genzken has been exhibiting since the 1970s, and her work has appeared in many of the world’s highest-profile exhibitions, including Documenta (1982, 1992 and 2002), the Venice Biennale (1982, 1993 and 2003), Skulptur Projekte in Münster (1987 and 1997) and the Carnegie International (2005).

In the Interview with Diedrich Diederichsen, the artist discusses her work’s complex interplay between topical themes and historical modernism. Alex Farquharson’s Survey traces the evolution of Genzken’s work, beginning with her now-legendary first exhibition while still a student at the Kunstakademie Düsseldorf. Curator Sabine Breitwieser uses her Focus to examine the series Hi-Fi (1979), which centres on magazine advertisements for stereo equipment. For the Artist’s Choice, Genzken has selected a prose poem by Charles Baudelaire that reflects the poet’s modern mix of joy and delirium. Artist’s Writings include a scene from an unpublished screenplay, Genzken’s notes on her performance of an early Bruce Nauman exercise and a rare interview with friend and sometime collaborator Wolfgang Tillmans.

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