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XXL特大書區

Sebastiao Salgado. Gold (Edition of 1,000)

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  • 書籍點擊數:205
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居於巴黎的巴西藉攝影師Sebastião Salgado,以紀錄全球化對人類的影響作為其一生的目標。他曾旅行超過一百個國家來執行他的攝影專題。大多數的攝影作品被刊登在無數的雜誌和書籍,並在世界各地舉行過攝影展。

 

《Sebastião Salgado. Gold Edition of 1,000》是Sebastião Salgado在巴西軍事當局封鎖了六年之後1986年被授權進入Serra Pelada(巴西第一個大型金礦,位於亞馬遜河口以南430公里處)訪問。他進入看到亞馬遜熱帶雨林邊緣的山頂上,開了一個巨大的洞,寬約200米,深深的洞裡,裡面擠滿了成千上萬的勉強穿著的男人。其中一半人攜帶重達40公斤的木製梯子,其他人則從泥濘的山坡上跳回到海綿狀的沼澤裡。他們的身體和臉孔都沾上赭石的泥濘顏色,是被他們挖掘出的鐵礦石染色。

 

Serra Pelada在1979年在其中一條溪流中發現黃金後,成為世界上最大的露天金礦,在惡劣的條件下僱用了大約50,000名人力。今天,巴西最狂熱的淘金熱只是傳說中的東西,許多痛苦的遺憾則被SebastiãoSalgado的照片所保存紀錄。目前塞拉佩拉達(Serra Pelada)的礦山已經長期關閉,但是淘金熱的景象從這些攝影圖像中原始重現出來。

 

這個簽名和有限的收藏家版,是第一本全面收集驚人的專著。在大規模博物館品質的複製品中,圖像鑲嵌著透明紙,並印有尖端的高解析度的Skia攝影技術,書中就像親臨博物館中展覽一樣令人嘆為觀止。

收藏家版本為1,000份(編號101-1100),每份都由SebastiãoSalgado編號和簽名。

 

“What is it about a dull yellow metal that drives men to abandon their homes, sell their belongings and cross a continent in order to risk life, limbs and sanity for a dream?” – Sebastião Salgado

 

When Sebastião Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil’s military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men. Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the color of ochre, stained by the iron ore in the earth they had excavated.

 

After gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world’s largest open-air gold mine, employing some 50,000 diggers in appalling conditions. Today, Brazil’s wildest gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets—and Sebastião Salgado’s photographs.

 

Color dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography, following a tradition whose masters, from Edward Weston and Brassaï to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. When Salgado’s images reached The New York Times Magazine, something extraordinary happened: there was complete silence. “In my entire career at The Times,” recalled photo editor Peter Howe, “I never saw editors react to any set of pictures as they did to Serra Pelada.”

 

Today, with photography absorbed by the art world and digital manipulation, Salgado’s portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. The mine at Serra Pelada has been long closed, yet the intense drama of the gold rush leaps out of these images.

 

This signed and limited Collector’s Edition is the first monograph gathering the astonishing portfolio in full. In grand-scale, museum-quality reproductions, the images are interlaid with transparent paper and printed with cutting-edge High Definition Skia Photography technology. The result is nothing short of breathtaking, like an exhibition in book form.

 

Collector’s Edition of 1,000 copies (No. 101–1,100), each numbered and signed by Sebastião Salgado.

 

Also available as an Art Edition of 100 signed copies (No. 1–100), each with a signed print.

The photographer and author

Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma, and Magnum Photos. In 1994 he and his wife Lélia Wanick Salgado created Amazonas Images, which exclusively handles his work. Salgado’s photographic projects have been featured in many exhibitions as well as books, including Sahel, L'Homme en détresse (1986), Other Americas (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000), Africa (2007), Genesis (2013), The Scent of a Dream (2015), and Kuwait, A Desert on Fire (2016).

 

The editor and art director

Lélia Wanick Salgado studied architecture and urban planning in Paris. Her interest in photography started in 1970. In the 1980s she began conceiving and designing the majority of Sebastião Salgado’s photography books and all the exhibitions of his work. Lélia Wanick Salgado has been the director of Amazonas Images since 1994.

書籍屬性
[作者] Sebastiao Salgado(photographer and author),Lelia Wanick Salgado(editor and art director)
[出版社] Taschen
[圖書書號/ISBN] 978-3-8365-7650-5
[出版日期] 2019
[書籍頁數] 196
[裝訂方式] 精裝
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
  • Sebastiao Salgado. Gold (Edition of 1,000)
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