In the context of contemporary design and fashion, jewelry has long transcended its traditional role as a symbol of luxury and status. It has evolved into a personal language—one that expresses emotion, culture, and creativity. From opulent statement pieces to minimalistic forms, from classical influences to experimental designs, jewelry now reflects the diverse perspectives of today’s society on beauty, identity, and material exploration.
Girl’s Best Friends is a compelling chronicle of this transformation. The book brings together works from designers and creators around the world, offering a rich and inspiring look at the vibrant landscape of contemporary jewelry. These creations not only reimagine traditional forms such as necklaces, rings, earrings, and brooches, but also explore new, unconventional formats that redefine the relationship between jewelry and the human body.
Contemporary jewelry draws from a wide range of influences—folk symbols, collage compositions, natural structures, and personal narratives. The materials used boldly break away from convention: beyond precious metals and gemstones, designers experiment with plastic, leather, ceramic, feathers, wood, and even human hair. These material choices reflect a shift in purpose—jewelry is no longer merely decorative but has become a medium that crosses art, fashion, and social commentary.
This book features a diverse roster of influential creators, including Dutch designer Ted Noten, Germany’s Saskia Diez, U.S.-based designers byAMT and Kelsey Quan, fashion label Commune de Paris 1871, and the artistic duo Confettisystem. Though they come from different disciplines, each contributes a unique vision that redefines the aesthetics, function, and cultural meaning of jewelry.
Girl’s Best Friends is more than just a catalog of contemporary jewelry design—it’s a visual journey through the creative expressions and evolving narratives that shape the field today. These works invite us to reconsider the role of jewelry in modern life—not merely as adornment, but as a form of wearable creativity, intimately connected to the body, everyday experience, and the continuous reinvention of meaning.