Richard Rogers (1933-2021) was a legendary figure in modern architecture, renowned for his pioneering high-tech style and the seamless integration of functionality and aesthetics in his designs. Born in Florence, Italy, in 1933, his upbringing amidst diverse cultural influences laid a solid foundation for his architectural vision. After moving to the UK, he studied at the Architectural Association School of Architecture in London and later pursued advanced studies at Yale University, further deepening his exploration of architectural theory and practice.
One of Rogers' most iconic works is the Centre Pompidou in Paris, a collaboration with Italian architect Renzo Piano. This groundbreaking building, with its innovative design that exposed structural and functional elements, completely redefined traditional architectural concepts and became a classic of modern architecture. This bold and unconventional design language became a hallmark of Rogers' architectural style.
His subsequent notable works include the Millennium Dome in London, Heathrow Terminal 5, and Terminal 4 at Madrid Airport. These projects vividly showcase his deep understanding of technology, spatial efficiency, and environmental sustainability. Additionally, Rogers actively participated in urban masterplanning projects, such as the redevelopment plan for Wembley in London and the urban planning of Florence, providing innovative solutions for improving public spaces in cities.
Rogers' architectural philosophy extended beyond formal innovation; he placed great emphasis on the positive impact of architecture on the environment and society. He firmly believed in the value of public spaces, advocating that architecture should foster interaction among people while respecting the constraints of the natural environment. This philosophy earned him widespread acclaim in the global architectural community.
In 2007, Rogers was awarded the Pritzker Architecture Prize, the highest honor in the field, for his outstanding architectural achievements. His works and ideas not only defined the core characteristics of the high-tech style but also profoundly influenced the way contemporary architects approach design and urban planning. Rogers' architecture is not merely a display of space and technology but also a profound exploration of future architectural practices and lifestyles.
This book examines the work of the Richard Rogers Partnership from 1994 to 2005, picking up from Volume Two, published in 2001. This third volume of the Complete Works looks at the most recent period of the practice through its dramatic culmination of high profile and world-renowned projects. It features over 48 projects and competitions, including the Greenwich Peninsula and Millennium Dome, masterplans for Wembley, London, and for Florence, as well as Madrid Airport and London’s Heathrow Terminal 5
